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Friday

The Long Range Acoustic Device

The Long Range Acoustic Device™ (LRAD®) is a highly directional acoustic array that is designed for long-range communication and unmistakable warning. The LRAD device can issue a verbal warning and has the capability of following up with a deterrent tone to influence behavior or determine intent.
Posted by PvZ at 11:44 AM No comments:
Labels: sound weapons

Thursday

Phone Recording Archive

Here are a bunch of phone company recordings that I have recorded off of my phone.
Posted by PvZ at 5:15 PM No comments:
Labels: odd

PALAOA - Transmitting live from the Ocean below the Antarctic Ice

You can listen to the underwater sound of the Antarctic Ocean with a delay of a few seconds here.
Posted by PvZ at 5:12 PM No comments:
Labels: acoustic ecology, natural sound

Western Soundscape Archive

The Western Soundscape Archive (WSA) recognizes the vital connection between places and their soundscapes and features audio recordings of animals and environments throughout the western United States
Posted by PvZ at 5:06 PM No comments:
Labels: acoustic ecology, natural sound

Recording the sounds of the West

Two archivists aim to catalog the soundscapes of Western states -- birds, rattlesnakes, bats -- before the racket of modern life drowns them out.
Posted by PvZ at 5:04 PM No comments:
Labels: acoustic ecology, natural sound

Monday

Eerie Sounds of Saturn's Radio Emissions

Saturn is a source of intense radio emissions, which have been monitored by the Cassini spacecraft. The radio waves are closely related to the auroras near the poles of the planet. These auroras are similar to Earth's northern and southern lights. This is an audio file of radio emissions from Saturn.
Posted by PvZ at 1:23 AM No comments:
Labels: natural sound

Sunday

Why pirates are currently legal

From Pirate Cat Radio's website

Thanks to George Bush for declaring the "War Against Terrorism" and U.S. Code of Federal Regulations title 47 section 73.3542, it is now technically legal to operate a radio transmitter with out a formal license.

Take a look for you self:

§ 73.3542 Application for emergency authorization.

(a) Authority is granted, on a temporary basis, in extraordinary circumstances requiring emergency operation to serve the public interest. such situations include: emergencies involving danger to life and property; a national emergency proclaimed by the President or the Congress of the USA and; the continuance of any war in which the United States is engaged, and where such action is necessary for the national defense or security or otherwise in furtherance of the war effort.
Posted by PvZ at 12:09 PM No comments:
Labels: pirate radio

Tuesday

Homemade "quick and dirty" record disc-cutting lathe

Posted by PvZ at 8:11 AM No comments:

Sunday

World Health Organizaton: Noise and health

Noise seriously harms human health and interferes with people’s daily activities at school, at work, at home and during leisure time. Traffic noise alone is harming today the health of almost every third European.
Posted by PvZ at 9:11 AM No comments:
Labels: acoustic ecology, public space

Saturday

AURORAL ACOUSTICS


Study of Sounds & Acoustical Effects Related to
Geomagnetic Storms and Aurora Borealis
Posted by PvZ at 9:31 AM No comments:
Labels: natural sound

Sunday

Favorite Recorded Scream: at last, a record that’s really worth shouting about

The result, available on a 12-inch LP simply entitled Favorite Recorded Scream, is a superb marriage of concept and execution, as meticulous a deconstruction and re-examination of pop music’s formal elements as anything that has recently emerged from the world of sound art.
Posted by PvZ at 12:04 AM No comments:
Labels: artists

Saturday

Construction of Radio Equipment in a Japanese POW Camp

Transcript of a recording by Lieutenant Colonel R G Wells, on the construction of radio equipment whilst in a Japanese Prisoner of War camp after the fall of Singapore.
Posted by PvZ at 4:23 PM No comments:
Labels: radio

Listen to Africa

Recordings of rural and urban soundscapes made during our 24,000 kilometre bicycle expedition across the continent.
Posted by PvZ at 9:34 AM No comments:
Labels: acoustic ecology, natural sound, sound maps

Thursday

Drivers to quote Gandhi on Tube

Transport for London has commissioned Turner Prize-winning artist Jeremy Deller to compile a list of bon mots to be used by Tube drivers.

Among the quotes on offer will be Gandhi's, "there is more to life than increasing at speed".

Deller hopes they will make commuters' journeys a bit more thought provoking.
Posted by PvZ at 10:54 AM No comments:
Labels: artists, public space, text

Monday

Audio Theater

What you will find here is a list of those producing this art form, Sources for finding tapes and cd's, Resources for those who want to try their hand at producing Audio Theater and reviews of current titles.
Posted by PvZ at 11:34 AM No comments:
Labels: radio, radio art

Tuesday

Have you heard 'the Hum'?

For decades, hundreds of people worldwide have been plagued by an elusive buzzing noise known as "the Hum". Some have blamed gas pipes or power lines, others think their ears are faulty. A few even think sinister forces could be at work.
Posted by PvZ at 2:25 PM No comments:
Labels: acoustic ecology, odd, sound weapons

Sunday

Sound mirrors

A forerunner of radar, acoustic mirrors were built on the south and northeast coasts of England between about 1916 and the 1930s. The ‘listening ears’ were intended to provide early warning of incoming enemy aircraft.
Posted by PvZ at 10:32 AM No comments:
Labels: acoustics, history, public space, sound weapons

Monday

Jailhouse radio - Louisiana State Prison radio station KLSP (1990)

Out of the small studio in the one-story brick control center building of the Louisiana State Penitentiary at Angola, KLSP broadcasts from noon until midnight, seven days a week.
Posted by PvZ at 12:39 PM No comments:
Labels: radio

The Encounter between Guattari and Berardi and the Post-Media Era

Felix and Alice in Wonderland: The Encounter between Guattari and Berardi and the Post-Media Era
by Michael Goddard

This is not to say that Guattari’s post-media era has nothing to do with network culture, whose development can certainly be seen to realise and confirm some aspects of the rhizomatic, machinic thought Guattari developed alone and with Gilles Deleuze. Rather this link will be shown to be more complex and to pass via other fields of media experimentation and thought, especially that which emerged around ‘popular free radio’ in Italy in the 1970’s and which was strongly associated with Guattari’s friend Franco Berardi or Bifo.
Posted by PvZ at 12:34 PM No comments:
Labels: Felix Guattari, pirate radio

Tetsuo Kogawa interviews Félix Guattari

Three interviews from 1980-1981 (English and French)
Posted by PvZ at 12:17 PM No comments:
Labels: Felix Guattari, pirate radio, Tetsuo Kogawa
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Public Hearing

This started as just a set of links distributed to classes over the past several years but has now expanded somewhat to include more sound art, radio, field recordings and other links related to the creative non musical use of sound. It is in no way complete, so please forward suggestions to pvonzweck [at] yahoo [dot] com

Labels

  • acoustic ecology
  • acoustics
  • artists
  • Bernhard Leitner
  • Bertolt Brecht
  • Bruce Nauman
  • Canada
  • Ed Osborn
  • EVP
  • Felix Guattari
  • Gregory Whitehead
  • hearing
  • history
  • installation
  • internet
  • italy
  • Janek Schaefer
  • Kittler
  • Leif Elggren
  • MW Burns
  • natural sound
  • Norman Corwin
  • odd
  • performance
  • pirate radio
  • public radio
  • public space
  • radio
  • radio art
  • Robin Minard
  • Samuel Beckett
  • sound effects
  • sound maps
  • sound poetry
  • Sound Theory
  • sound weapons
  • Tetsuo Kogawa
  • text
  • Tony Schwartz
  • video
  • VLF
  • Walter Ruttman
  • Willem de Ridder

Blog Archive

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About Me

PvZ
Philip von Zweck is a Chicago based artist and the host/producer of the weekly radio program Something Else . although he taught in the Conservatory at Brooklyn College, he has no training in music and doesn't read sheet music. He has also taught at Northpark University, the School of the Art Institute of Chicago and Northwestern University.
View my complete profile